~by: Jewel Philemon~

Local playwright, Mr Tan Tarn How, returns to the world of theatre after a hiatus of ten years with his latest full-length play, ‘Fear of Writing’.

The respected writer, who has written several critically acclaimed plays such as ‘The First Emperor’s Last Days’, ‘The Lady of Soul And Her Ultimate “S” Machine’ and ‘Home’, said that he wanted to write a play about the difficulty of writing political plays and thus, Fear of Writing was born.

“This play is about the complacency of the average Singaporean, of theatre audiences and practitioners because there is no danger, no real change enacted by our works. It is about the commercialization of theatre; hijacked as entertainment rather than being an engine of change. Can we find a real political theatre, where the audience goes in X and comes out Y? This is the difficulty in writing this kind of work in this day and age, hence the long gap between my last play and this one.” says Mr Tan.

Mr Tan’s career of writing plays began in 1989, when he wrote a short play titled ‘In Praise of the Dentist’. He has since written 9 plays over the span of twenty-two years.

He was also the head writer of popular local period drama, ‘Growing Up’, as well as ‘VR Man’, an action hero series. Mr Tan also worked for the Straits Times from 1987-1996 and 1999-2005 as Science and Technology editor, Sunday Review editor, Life! Deputy Editor, senior political correspondent and also a foreign correspondent based in Beijing and Hong Kong.

Mr Tan is currently working as a Senior Research Fellow at the Institute of Policy Studies.

On his motivations to writing this particular play, Mr Tan says, “Artists are supposed to hold a mirror to society. What if the society is not looking into the mirror in the way that the artist hopes they would? And what if they only see it as a diversion, an entertainment, a commodity? Then what is the point of the art?” Because there is no conversation! An artist is supposed to have a conversation, not with themselves, but with society. Where is the problem – well, firstly, is there a problem at all?”

“Maybe in our modern day society artists are no longer allowed to have that role. So is there a problem with the art form? Or is the art itself? Its inability to evoke that kind of a response? Is it a problem with the audience or is it a problem with soc? Or is it a problem of modern day existence? In this entertainment drenched society. So I wanted to explore that”, he adds.

Wanting to explore what artists can’t write was another thought which spurred him.

“Even before this election, some people would say actually there are no limits. Whereas my contention is that, there are limits. I don’t mean limits which are in place in sort of liberal or advance societies. Of course you can’t write plays about inciting hatred or inciting violence or things like that. But the limits which are put in place which are special to places like Singapore where limits are somewhat arbitrary. So I mean limits that are here that are not in other well functioning societies elsewhere. So I wanted to attest that there are these limits and I want to attest that there still are these limits despite what happened in the previous general election”, he contends.

So what is ‘Fear of Writing’ all about?

“Well Fear of Writing is about fundamental change, the role of political art, and it is about the fact that we are not able to somehow reflect on things in a way other than a very narrow consumerist, materialistic or pragmatic prism. It is about a lot of things. Ultimately it is a commentary about politics, political art and censorship“, Mr Tan describes.

“I think all my plays are different, they feel different at least to me.” Says Mr Tan when asked how Fear of writing is different from his other plays,

“But I guess this one, is different in the way that it sort of attempts to reflect on theatre as a form and to see whether the old theatre is enough. So it is in that way an experiment. It is in a way unlike all the other plays where they aren’t experiments in form. It is an experiment in the genre of theatre.”


Fear of writing is staged by Theatreworks. For more details on the performance click HERE.

Subscribe
Notify of
0 Comments
Inline Feedbacks
View all comments
You May Also Like

循环公司斥资1亿4400万元 防塑料污染海洋基金会成立

为能清理亚洲海洋塑料的危机,循环资本投资公司将斥资1亿零600万美元(约1亿4400万新元)防止塑料污染从亚洲流入海洋。 循环资本投资公司昨日(4日)发表文告,表示成立“循环资本海洋基金会”(Circulate Capital Ocean Fund),也是首个致力于应对亚洲塑料海洋危机的投资基金。其中包括可口可乐公司、百事可乐、宝洁公司与石化公司雪佛龙飞利浦公司,将在明年第一季开始资助预防及控制塑料污染的中小企业。 其中八个投资基金的国际公司,包括连续两年全球生产最多塑料的可口可乐跨国集团,各个公司投入约1500万美元(约2046万新元)。 据了解,目前全球海洋共有1500万吨塑料垃圾,每年还会增加800万吨。其中的六成源自亚洲包括中国、印尼、菲律宾、泰国和越南,他们均缺乏相关资金对塑料垃圾的处理进行研究。 因此,循环资本基金会旨在为废物管理公司投资,为他们筹备资金,解决塑料海洋的问题。 循环经济是一个具有可持续性营运模式的经济概念,比如投资在废塑料管理这个领域不只对环境有益,赚取的盈利也足以注入回该领域。 金管局首席执行官兼循环资本总裁柯普朗(Rob Kaplan)透露,在各国之间,塑料垃圾的收集成本差距在每吨28美元至40美元,而基金会的成立能够填补资金缺口。 他表示,“我们相信资金的支持下我们至少能够减少五成的塑料泄漏的问题,若将资金投资在科技的提升,我们或许能够减少更多。”…

Netizens sympathise cabbie who was begging traffic wardens not to fine him for smoking in taxi

On Thursday (3 October), a photo of a taxi driver kneeling and…

IMDA to investigate M1 for internet disruption; Netizens ask about compensation from M1

The Infocomm Media Development Authority (IMDA) said it will investigate the disruption…